Issue 1 (Pinned)
Issue 1 (Pinned)
Now and then awake I lie in stillness,
By rhythm of mine heartbeat I doth scribe
Billet-doux of candid, earnest realness,
Engravéd on the ceiling water pipe.
Did address to those who is’t remaineth,
In silent night mine own mind drifts to thee,
This saudade I struggle to containeth:
Ba-dump ba-dump in w’rds t’s setteth free.
Alas apart shall wint’rs tide over,
Thee might not but f’rget about me oft
Yet as I walketh the Cliffs of Dover,
Ba-dump ba-dump my letters to thee waft.
Yet when cometh the shrill ring of thy call,
The words I draft’d before I can’t recall.
22 Nov 2022
Issue 10
The gates release
The racehorse lunges forward
Droplets lost in the wind
Magnetic forces
She crashes, over the lines, onto your wagon.
We are silent, yet the crowd roared in the distance.
We don’t say anything; we never do.
I think I might’ve. Did I? I don’t recall.
My words were lost amongst the cries of a wailing child.
Captured moments;
I look awful,
Yet you are as beautiful as ever.
8/10/2023
Issue 9
The man takes a drag from his burning cigarette. Wisps of smoke escape from his closed lips as he inhales the curling warmth into his burning lungs. He hacks a cough, then another. He smokes his cigarette down to the filter, then lights another one.
This was routine for the man. Squatting at the step in the back alley behind the closed door that separated him from the business in the restaurant. My 5 minutes of solitary peace and freedom, he thought, as he takes another slow inhale through his second cigarette.
He stubs his cigarette out, getting up and dusting himself off, before going back into the sweltering heat of the kitchen.
He jokes around with his coworkers throughout his shift, but they don’t talk much. They speak the same tongues, but different languages. There are things that he could never say, thoughts that stay buried in the depths of his heart.
It was past midnight when the man’s shift ends. He takes the night tube.
He subtly studies the woman who sat opposite him, everything about her different to him. The clean cut, white blouse, the strap that hung around her dainty neck, the crisp skirt that draped over her stocking covered legs, the leather handbag with a Prada logo that sat in her lap.
Everything but the colour of their skin, the fullness of their eyebrows- their thick raven hair.
As he studies her, he couldn’t help but wonder whether she was the same. If she spoke his language, spoke to him.
She was reading a book. Its title read, What They Don’t Teach You at Harvard Business School. The man couldn’t imagine reading something like that, yet the woman was completely engrossed in the lines of the heavy book, swept into the world beyond.
The man sees people like her often. He finds himself wondering, every time, how his life would be if he were them. If he’d gone to university; if he’d had a 9-5 job, shining loafers, white collar; if he’d had a 2 bedroom apartment that he didn’t have to share with 8 other people.
But alas, that is not his life. Perhaps it could be his sons’, or his daughters’, he thought, as he climbed into bed, facing his wife’s back in the comfortable darkness of the silent night.
17/10/2023
Issue 8
I found this photograph that I’d forgotten
about
In a feverish dream.
I could almost picture you there
As you walked through the crowds of the
busy street, flicking through rows of
pajama pants
That you buy for your father.
I wonder how that street looks like now-
Are the shops still there?
I only have photographs and my memory
to cling to
I’m lost. Where am I?
I’m hurt. I’m scared.
Will I recover? I don’t want to..
Don’t worry, I’ll hold on to our memories
even when you forget.
Life Goes On.
I won’t forget.
Life Goes On.
I must remember.
23/04/2023
Issue 7
Tree.
Tree along the bank.
Tree is leaning dangerously
toward the murky water.
Tree is barely holding on.
Tree is me, I am the Tree.
I sometimes wonder what it
would be
If I let my spine break
Where would the murky, milky
white take me?
Issue 6
Survivor’s Guilt is a funny thing indeed.
I went to my friend Max’s fashion foundation showcase today.
His collection explores how his experience with moving to the UK from
hong kong mirrors the journey his grandmother took all those years ago
from china to Hong Kong to escape the CCP.
I cried.
An image that struck me the most was a picture of his grandmother.
On it he wrote,
“ I wonder if I’ll ever get to see my PorPor again”
It hurt
How much I could resonate with that sentence
once again i was reminded
Of all the people and all the loved ones i’d left behind.
Issue 5
When one recalls on past memories, one reminisces, few have no regrets at all.
Untitled: a certain sense of ambiguity; an unplaceable feeling. Yet “untitled” also serves as an umbrella term- the subject is unconstrained; it can be anything.
These days I often find myself clinging desperately to the fast-fading memories of the place I grew up in, the place I had to inevitably leave. Like a figure receding rapidly in the distance: I call out, but not once does the figure turn back. There is struggle, but in life, there are times to stay, times to meet and gather, and times to part and embark. All good things come to an end, but it does not mean the future is not good.
Laying still helps. Still images flicker from another time, another place. Waltz №1, Op.6 “Collapse” plays in the background as I reminisce and retrieve fragments of intangibles. Are they real? Are they simply stills of fabrication woven by my mind, taking elements from things that have been, things that are happening, things from different periods of time and different parts of the world?
I thought it would be cool to have layers to my painting, layers of hidden symbols and white obscuration that needed to be peeled back; stripped bare. It is my unconscious: An inner part of my own self that I sometimes struggle to access; to understand. It is what partially drew me to Dark was the night, cold was the ground in Guglielmo Castelli’s A knife with no blade, missing its handle showing at Rodeo London (at time of writing). The layered approach taken by Castelli in his painting commanded attention- drawing me in to scrutinise the details partially subdued in layers of green glaze, digging for any traces of symbols and visual “easter eggs” to reveal another small detail in the narrative.
When I try to recall daily happenings, fragments of objects and sightings that I would include in my compositions, It scares me, my mind draws blanks. Suddenly, I recoil in fear when I forget how the road from the station to home looks- what colour were the bricks that I trudged upon, every day, in my past teenage years? I recall glimpses of the Hong Kong orchid trees stretching above like an alcove, letting rays of sunlight through: only quick flashes, never in detail. Floating objects, sometimes grounded; sometimes not, in seas of white and beige, my mind never having focused enough to capture and retain a full picture.
I realise it is loss, and regret that I feel.
Issue 4
do you remember?
How the sky looked
the night I called you?
You were on your way home then
I don’t know
My memory is failing me
All that remains
is fog
that suffocates my chest
I expel my cloud breath
until your face becomes
a distant memory.
19/1/2023
Issue 3
Crying at the beach
the last time we saw each other
did you know it would be the last?
your “see you again” seemed genuine
did you believe it when you said it?
tainted by the voice of cold hard truth hidden in my heart,
i replied, “i’ll visit soon”
my tears mix with the salt water with the sand and the rocks
i’m sorry.
18/1/2023
Issue 2
The smell of cigarettes makes my stomach turn.
Slowly, tentatively, I take a drag.
My chest aches.
I don’t breathe it into my lungs
I don’t think I can take it if I did.
I take another drag.
Inhale
Exhale.
My hands smell like mother.
I’m wearing mother’s scarf
mother’s jumper.
It’s too quiet. I stagger.
8 Dec 2022